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The Frog was a year and four days climbing up the ten thousand steps which lead from the dark country, in which she had left the Queen, up into the world; it took her another year to prepare her equipage, for she had too much pride to allow herself to appear at the Court like a poor, common frog from the marshes. She had a little sedan-chair made, large enough to hold two eggs comfortably; it was covered on the outside with tortoise-shell, and lined with lizard-skin; then she chose fifty maids of honour, these were the little green frogs which hop about the meadows; each was mounted on a snail, furnished with a light saddle, and rode in style with the leg thrown over the saddle-bow; several water-rats, dressed as pages, ran before the snails, as her body-guard; in short, nothing so pretty had ever been seen before, and to crown it all, her cap of crimson roses, always fresh and in full bloom, suited her in the most admirable manner. She was a bit of a coquette in her way, so she felt obliged to add a little rouge and a few patches; some said that she was painted as were many ladies of that country, but inquiries into the matter proved that this report had only been spread by her enemies.,

“And Tellef’s grandmother says that if the master of Kingthorpe were alive, she would ask him for money to go and have her eyes operated on. It costs frightfully, you see, Mother, and I have to be the master of Kingthorpe now; so I want to give Tellef’s grandmother the money. I must do it because Uncle Isaac would, and I am the Kingthorpe heir.”,

“You bet! But it will be pretty rough going. We’ll have to nurse it pretty carefully. A submarine rock could torpedo it in a minute. But come on, let’s try it.”,

“Uncle Isaac has no further need of anything,” said Mother. “He died last night, little John.”

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Conversation may be divided into two classes—the familiar and the sentimental. It is the province of the familiar, to diffuse cheerfulness and ease—to open the heart of man to man, and to beam a temperate sunshine upon the mind.—Nature and art must conspire to render us susceptible of the charms, and to qualify us for the practice of the second class of conversation, here termed sentimental, and in which Madame de Menon particularly excelled. To good sense, lively feeling, and natural delicacy of taste, must be united an expansion of mind, and a refinement of thought, which is the result of high cultivation. To render this sort of conversation irresistibly attractive, a knowledge of the world is requisite, and that enchanting case, that elegance of manner, which is to be acquired only by frequenting the higher circles of polished life. In sentimental conversation, subjects interesting to the heart, and to the imagination, are brought forward; they are discussed in a kind of sportive way, with animation and refinement, and are never continued longer than politeness allows. Here fancy flourishes,—the sensibilities expand—and wit, guided by delicacy and embellished by taste—points to the heart.,

Beauties, that charm, become you more than dress,,

Their flight was swift, swooping something like a bird’s. From one tower the bucket would speed, only to stop silently and, almost before its crossways movement had ended, it would drop to the surface of the work. An instant to unload the bucket and in a flash it was up and gliding like the wind back to its starting point.,

Beauty spent three months in the castle, more or less happily. The Beast paid her a visit every evening, and conversed with her as she ate her supper, showing good sense in his talk, but not what the world deems cleverness. Every day Beauty discovered some fresh good quality in the monster; she grew accustomed to his ugliness, and far from fearing his visit, she would often look at her watch to see if it was nearly nine o'clock, for the Beast always arrived punctually at that hour. There was only one thing which caused distress to Beauty, and that was, that every evening before retiring, the monster asked her if she would be his wife, and always appeared overcome with sorrow at her refusal. One day she said to him, "You grieve me, Beast; I wish it were possible for me to marry you, but I am too truthful to make you believe that such a thing could ever happen; I shall always be your friend, try to be satisfied with that." "I suppose I must," responded the Beast; "I know I am horrible to look upon, but I love you very much. However, I am but too happy that you consent to remain here; promise me that you will never leave me." The colour came into Beauty's face; her mirror had shown her that her father was ill with the grief of losing her, and she was hoping to see him again. "I would promise without hesitation never to leave you," said Beauty to him, "but I do so long to see my father again, that I shall die of sorrow if you refuse me this pleasure." "I would rather die myself," said the monster, "than give you pain; I will send you home to your father, you will stay there, and your poor Beast will die of grief at your absence." "No, no," said Beauty, crying; "I care for you too much to wish to cause your death; I promise to return in a week's time. You have let me see that my sisters are married, and that my brothers have entered the army. My father is all alone, let me remain with him a week." "You shall be with him to-morrow morning, but remember your promise. When you wish to return, you have only to put your ring on the table before going to bed. Farewell, Beauty." The Beast gave his usual sigh as he said these words, and Beauty went to bed feeling troubled at the thought of the sorrow she had caused him. When she awoke the following morning, she found herself at home, and ringing a little bell that stood beside her bed, the maid-servant came in, who gave a loud cry of astonishment at seeing her there. Her father ran in on hearing the cry, and almost died of joy when he found his dear daughter, and they remained clasped in each other's arms for more than a quarter of an hour.